


ROSES AFTER CHRISTMAS
Joan Shaw

Bicolor Rose 'Lynn Anderson'
Nothing is more appreciated by a gardener
after the hubbub of the holidays is over than to find the mailbox
stuffed with catalogs of seeds and plants, including those featuring
that best of all possible plants, the rose.
Here
in Cache Valley the countryside is usually covered
in snow by this time (January 5), but we've seen almost nothing but
rain this past month. What little snow we had in November has been
almost totally washed away and the snow line has retreated to above the
foothills. Gardeners in this part of the country feel uneasy without
the safety of snow cover to keep the more tender plants from the
freeze-thaw cycle which breaks down their tissues, and I've been
relieved that our gardening crew has covered most of our plants and all
of our roses with wood chips and a mulch of leaves and grass.
So on this January, with no snow on the ground, plant catalogs with
their colors warmly
spreading over every page is like a promise that spring
will come again and after that, summer. For now, Cache Valley has not
only entered the Blah Season –
that period of the year after our colorful leaves have fallen
and before the snow falls to cover the valley with white – but has had
the Blah Season extended by over a month. Everywhere we
look is brown and gray and the sides of the highways are littered with
bits and pieces of trash that were covered a couple of months ago with
green and gold.
Blah, indeed!
Rose Alba Semi-plena, with Rosa Glauca to
the right and red iris and emerging hollyhocks in the foreground
Not only are we experiencing an extended
Blah Season, but I've been laid up with a wrenched
back for over six months, and thanking the Heavens for Spencer and his
crew who kept the place tidier than it's ever been. I was thoroughly
tired already of gazing out the window at the bleakness of the Blah
Season in November. Gone
were the early June flowers I could only see from my window, gone was
the summer, gone the reds and golds of fall. And now, gone is even the
snow that should be there, turning the valley into a fairy land of
white.
So what a relief
it was to be able to have reached the point of being able to spend some
time sitting up at the computer this morning, pull up summer photos on
the monitor, and consider where to put the list of many new
plants I've been compiling for (I hope) a happier new gardening
year. It was good, too, to see how the garden had burgeoned this
past summer under the care of Spencer and his crew.
Especially
rewarding was the tumbling and overflowing beauty of the Rosa Alba Semi-plena shown above. It
seems only yesterday that it was a tiny, vulnerable, own-root slip of
a thing from Vintage Gardens,
though it was something like six years
ago that I planted it. The Rosa
Glauca to the Semi-plena's
right in the photo was also rewarding.
We have several of these Glaucas
growing throughout the gardens. The plants are vibrant with not only
their bright burgundy flowers but the bluish green of the leaves – a
perfect confluence of colors. They also offer an exuberant showing of
deep cordovan hips in the fall against – by then
– its bronzed leaves. A closeup of the Rosa Glauca blossoms are shown
above right.
A Few Well-loved Bicolor
Roses
The
inspiration for searching out the newly planted rose shown at the top
of this page (The bicolor 'Lynn Anderson') was a huge vase full of
similar roses brought to me by my brother- and sister-in-law, Bill and
Pam Shaw, for my
birthday this past April. Three of
these plants, 'Lynn Anderson' (Winchell, 1995), went into a tight ring
in our new rose bed this spring and by the middle of summer were
covered in charming blossoms. I found 'Lynn Anderson' in a local Cache
Valley nursery, Tony's Grove (3915 Highway 91, Hyde Park, Utah,
435-563-2648). A similar
bicolor, 'French Perfume' (Japan, 1993), I ordered from Heirloom Roses.
'Lynn Anderson' has large, well-formed
blossoms of an off-white with moderately high centers, the petals edged
in a nicely subdued pink. These roses are held on fairly long stems, so
they're excellent for cutting, wonderful to look at, and nicely
fragrant. The bush is also tall and upright. The colors of 'French
Perfume', the second bicolor we planted, are slightly more intense, the
high centers a yellow-cream,
the pink on the petal edges more striking. And, of course, the
fragrance is lovely.
I can recommend these two roses without reservation; they're
beauties.
More Bicolors
Another
couple of bicolors which also
have the historical cachet of Old Garden Roses are the famous
'Sissinghurst Castle' (at left), a pale, plum- colored subtly striped
rose and
'Ferdinand Pichard' (at right, below), a more boldly striped crimson
and
light pink. Both roses have one very heavy bloom period here, though
they
both take a couple of years to settle in before they start putting out
any kind of a show.
'Ferdinand Pichard' (Tanne, France, 1921)
has tightly rolled buds and high centered blossoms. After a
day or two the crimson and pink turn to purple and pale pink. Since
these colors naturally occur at the same time on the same bush, it
affords a nicely diverse color combination. The plant is said to bloom
throughout the season, but ours here has been so shaded by a newly
constructed carport that it can't do much else but give us a small
showing in the spring.
'Sissinghurst Castle', on the other hand, is out in full sun. The rose
is an antique gallica that was found by the poet, The Hon. Victoria
Sackville-West, in the castle's overgrown garden in Kent, England. She
and her husband,
Sir Harold Nicholson, bought the almost totally ruined property in 1930
and began to restore
the extensive gardens surrounding the walls and towers that were all
that was left of Sissinghurst Castle.
This fragrant rose
is low growing here, reaching no more than three feet. It tends to
sucker, though
not thuggishly. I planted it on the western end of the oval bed
in front of the house (that's surrounded by the drive), underneath a
tall
lamp. It puts out masses of faintly striped pink, very fragrant
blossoms for the best part of a month.
Sissinghurst, One of the
Most Beautiful Gardens in England
Peter Coats
explains the success of Sissinghurst in his Great Gardens of Britain this
way. "What makes the garden so special," he says, "is the architectural
way in which it has been planned, the surviving walls of rosy old
brick,
and newly planted hedges of yew and beech, making a crisp and scholarly
framework for the brimming flowerbeds."
Of
course, we all can't have a ruined castle around which to arrange our
flower beds, but the placement of
hedges and trees, particularly evergreens in contrasting shapes and
sizes, is the architectural equivalent. In the essay following
this one, I do talk about the efficacy of trees, especially evergreens
and their placement in the garden. I'm especially proud of
the copse I planted ten years ago, mostly by myself (the trees were
fairly little), after reading Noah's
Garden by Sara Stein, a gift
from my friend Helen Cannon in the summer of 1994.
In this thoroughly enjoyable book, Stein advocates not banishing the animals from our
gardens, but instead reconciling the needs of both the animals and the
gardeners to make a kind of ecological ark for everyone. I still
dislike the mess that gophers make and keep chasing the destructive
little beasts out into the alfalfa field by disrupting their burrows.
And I'm careful where I step for fear of finding the tail of a
wriggling and outraged garden snake under my foot.
But we do have a pleasurable little sitting area among conical and
round headed evergreens, a variety of smallish berry trees and shrubs,
and a few crabapples. The copse provides homes for many insects and
birds, I saw a toad out there once, and regularly see over a dozen wild
turkeys that still come around in a ragged herd, following each other
and pecking at the ground. During one spring, a doe and her twin fauns
spent the entire winter and spring in the copse and surrounding
areas. (Unfortunately, the fauns grew up and kept coming back
with their own offspring until we erected a deer fence.)
Statues
Another
and quicker way to adding architectural interest to a garden is a
careful placement of statues. Here, to
the right, is a statue of St. Elizabeth of Hungary, also known as
Elizabeth of the Roses. She's surrounded by a planting of carpet and
shrub roses, Mother of Thyme and, farther to the front of her, a
spreading mat of Lamium
'Beacon Silver'.
The legend of St. Elisabeth is an interesting one. She was born in the
early years of the 13th century and died quite young at 24. She spent
her short life in charitable work, building hospitals and feeding the
poor. The legend has it that while she was taking bread to the poor in
secret, her husband caught up to her and demanded to know what was in
the pouch. Apparently, he was angry with her constant largesse and had
warned her of it before (Elisabeth being one of the earliest "bleeding
heart liberals?").
Elizabeth opened her pouch in all innocence and the bread she was
distributing turned miraculously into roses, saving her goodness knows
what punishment. Wikipedia
writes that this legend has no
basis in fact. Her husband, Ludwig IV of Thuringia appeared to be a
sainted type himself and not averse to having his wife distribute his
wealth to the poor and sick.
But it's a pretty story and there is a statue of her in Budapest in
front of the neo-Gothic church dedicated to Elizabeth in Roses' Square.
The legend, however much on shaky ground, seems to be fairly well
cemented into the fabric of Hungary.
We have other, smaller staues – namely ducks, geese, partridges, and an
otter. None of them do any damage, and the geese do not hiss or bite!
We have had geese on this place, years ago, and believe me, they are
not the most peaceful animals to have around. We
also have a rather large Celtic Cross that I'm anxious to place as soon
as Spring come
s along.
More later,
Joan Katherine Shaw
January
2006
Photos
- Joan Katherine Shaw
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Garden Architecture
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